Kazuhiro enjoying his custom 9'5" 4065 in the land of the rising sun.
Tip time
9'10" El Cadejo
A few pics of team rider Matt’s 9'10" El Cadejo. Smaller shred-craft by TA.
Free and Easy Movie Night
Last night’s Free and Easy night was a blast. The Tyler and Davenport crews were in full force. Thanks to Ohana O Kekai for putting together such a cool event to support some great causes! In case you missed it here are a couple photos…
Just some dudes
Ally and T Crit.
Shwag
Kiyo on the other end of the camera with Adam and Edfactor
T. Crit and Becker’s Jose Barahona
Mike Purpus and PT
Bruce Grant and Edfactor
Talking Shop
Photos courtesy of Classic Waves and Liquid Salt.
Free and Easy
Next Friday Mike Purpus will be hosting Free and Easy at the Redondo Union HS Auditorium . Mr. Davenport will be bringing down boards, both classic and contemporary, to check out! Proceeds are going to Coachart and the Jimmy Miller Foundation. So, come down and get radical!
9'4" 4065 at Wave Front Surf Shop
Postcard from down South
Nick enjoying endless rights somewhere down south on a 10'1" El Cadejo.
9'4" 4065 now at Wave Front in Ventura
Black 4065
Adrian enjoying his custom 9'6" 4065 at Malibu.
Custom 9'4" 4065
For Luke
First Love
10'0" 4065 now at Wave Front
Custom 9'7" 4065
For Ryosuke
9'9" 4065 now available at Mollusk
Now available at:
Mollusk Surf Shop
1600 Pacific Ave, Venice, CA
310-396-1969
Cutbacks Wars: The Saga Continues...
Edfactor launching his most recent attack in the cutback wars…
T. Crit Sequence
More shots from some recent footage…more to come!
Roller Coaster
A couple shots lifted from some recent footage of Edfactor.
Much more to come! Stay tuned!
Much more to come! Stay tuned!
Liquid Salt Interview
Liquid Salt just did a really nice feature on Adam….
Adam Davenport
by ED FACTOR on MARCH 27, 2012
Adam Davenport bucks the trend of the LA County, pop/punk, thruster/quad riding foam jockeys, and follows a linear legacy that goes straight back to Velzy. His whole operation could be described as roots rock-and-roll with a heavy dose of blues, with a tiny bit of surf guitar used as the catalyst.
A native of the South Bay, born at Torrance Memorial Hospital and a fourth generation Southern Californian, his first board was fittingly an 8′ 6″ pintail shaped by legendary Pat “Gumby” Ryan, head of the shaping helm at ET Surf.
“My feeling of first being upright was the best sensation ever,” Davenport said, “I was truly immersed, hook, line, and sinker, and I still can’t get enough.”
Like a lot of cats and kittens with a Southern California upbringing, his parents plopped the young Davenport into the Junior Lifeguard program, keeping him on the beach and fortifying his skills in the soup. “I remember my first hang ten,” Davenport said,“It was at 34th street on my Dad’s old Bing Noserider.”
He soon picked up the planer as he was not able to afford the boards that fit the kind of surfing he was jiving for. “I had a picture in my mind, and I still do – a golden era/generation of pure longboard surfing, and I wanted to somehow translate that into the boards that I rode, and the style of which I surfed.”
With this inspiration, the prepubescent Davenport was driven to the old Walker Foam Factory in Wilmington by his mother. He purchased a seconds and discarded blanks and promptly went to work in his mother’s garage, sauteing and shredding foam, and generally wreaking havoc in foam dust all over the place. Needless to say, young Adam was stoked to be finally have the correct equipment that would eventually help him with his own interpretation of wave riding. “I always looked up to the way my Father and Uncle surfed, the guys in the Bruce Brown, Dale Davis, and MacGillivray/Freeman movies,” Davenport said, “I wanted to be a part of what they were during that particular era, too, as I grew up with a absolute disdain for the modern thruster.”
His home base is in the “Cen-Bay,” an area that encompasses Playa Del Rey, El Segundo, and El Porto. His father and uncles grew up surfing Ballona Creek and were on the Roberts Surfboards surf team with boards shaped by Robert Milner.
“Growing up and hearing stories from my Uncles and Father,” Davenport continued, “Wayne Miyata’s Glass Shop and that whole mystique/fraternity of boards that inhabited the area caught my imagination. When I was in Elementary School, I used to daydream about being the sander for Bing Copeland and sanding noseriders shaped by Dan Bendickson.”
The atmosphere of El Porto “line-down” feeds the young Davenport in his ultimate expression. “El Porto – home of surf takers and snakers, surf jocks and bros, with their lifted trucks in the parking lot, cluttered with Body Glove and Channel Island Stickers on the windows, paddling for every wave with their homely aggressive flailing arms, with no substance and about all trends. “Yeah, that’s my checkpoint for surfism,” Davenport said.
With the South Bay of the ‘60s as his major influence, and with Hermosa Beach being the center of this surf culture, Davenport gives credit due to his influences.“Hermosa Beach and the South Bay were the hubs of the surfing world,” Davenport said. “Bing, Noll, Jacobs, and Rick were all located here and Weber was up the street in Marina Del Rey (and not Venice) – five of the world’s biggest surfboard manufacturers.”
Once Davenport shaved a few blanks here and there, he had time to graduate with a BA in History from Cal Lutheran, where he was also their starting center and offensive tackle. He even turned down his aspirations of being an attorney after being accepted into Loyola Law School.
He was first employed by Aquatech Glassing in Venice Beach, CA doing board restoration, ding repair, and polishing. “Scott [Anderson] and Sean [O’Leary] taught me the fundamentals of using a power sander, resin, and other disciplines,” Davenport explained,“Love those guys and will always be grateful to them for giving me a shot.”
Along the way, Davenport was also influenced by Fineline Surfboard’s Brian Hilbers and Mike Gibe of Cigars of the Pharoahs. “(Hilber’s) is one of my all time heroes,” Davenport said. “He grabbed me by the neck and showed me the basics of using a Skill 100 power planer, board design and theory, and helped me design my own version of his own model, “The Zombie,” which bacame my “The Thing” model.” “Gibe helped me take my board building to another level. For proper finish work, functionality and form, Mike is the constant detail oriented mentor that has smoothed out the rough edges and steered me in a direction that only he and Tyler are in.”
El Segundo’s Tyler Hatzikian of Tyler Surfboards, our generation’s Dale Velzy, is Davenport’s father figure in the world of shaping as well as his boss. Davenport spends a lot of time sanding Tyler’s latest “advanced traditional design” concepts and products. “What can I say about Tyler – he has taken me under his wing and made me what I am today,” Davenport said. “Everything I do, and how I do it, is because of him, his techniques, work ethic, and skill. I just want to make him proud and represent his label and boards in a way that reflects his class and craftsmanship.”
Currently, Davenport’s catalog includes ‘60s inspired equipment with model names like, “The California Classic,” “4065” and “The Pig.” On the quirky side, other models like “El Cadejo,” “On the Rocks,” and “The Thing,” separate Davenport from other shapers that sometimes rely heavily on names and archaic board designs from the past.
“The pig is my take on a classic early ‘60s design with a f(lipping) D-fin and no god da(rn) leash apparatus,” says Davenport.” The ‘El Cadejo’ is more of a mid-’60s noserider with parallel rails and slight hips for speedy points. ‘The Thing’ is a small wave noserider with a ten-inch tail block and a massive V, The ‘4065’ is the bastard love child of a mid-’60s Weber Performer and a Rick UFO, and the ‘On The Rocks’ is all about the jive, being a cool casual cat in critical sections, to maintaining correctly timed noserides in the pocket, and ripping Dewey Weber-esque cutbacks.”
With his surfboard lineup being solidified, Davenport’s goal is keeping his scene small enough to cater to his clientele and to be able to “build a core group of enthusiasts and friends who have a like-minded outlook on surfing, make great boards for my family, and keep doing a good job for Tyler, and never, ever letting him down.”
He is grateful to his family for their support and encouragement, without which he feels he could not have become the person that he is today. His special lady Mel, is always by his side. “Every year I raffle a couple boards for charity during the South Bay Film Series Festival that takes place in early September,” Davenport said, “Well, one of the winners happened to be Mel – it was then that I met the love of my life.”
Davenport lists a nice juicy medium steak, a baked potato, salad, and a tall can of ice-cold beer to his favorite food list. What’s bouncing in the corridor of his white van from the tape deck? Freddie King, Albert King, Paul Butterfield, Wes Montgomery, Kenny Burrell, Grant Green, and T-Crit. Things that bum Adam out: Shortboards, San Diego’s obsession with Bob Simmons’ shapes, SUP’s, inlanders, Surfer Magazine, clothing companies, leashes, booties, and hipster-claiming hulls.
Tyler Surfboard’s test pilot and South Bay surfer, Mike Siordia, agrees with most that Davenport is the right fit to continue the South Bay shaping legacy and the culture around it. “Adam gets it. Davenport represents craftsmanship and functional hotdoggin’ vehicles.”
What’s next for Mr. Davenport? “Become the second best board builder next to Tyler, follow in his footsteps, and continue to craft his boards. Make him Proud.”
For more information on Davenport Surfboards check out his website here and his blog here. His boards can be found at Mollusk Surf Shop, Venice, CA, Wave Front Surf Shop, Ventura, CA, and Surf Country, Goleta, CA.
Check out the full article here.
A big thanks goes out to Ed and Glen for making it all happen!
Photos by Mel and Kiyo of Classic Waves.
Adam Davenport
by ED FACTOR on MARCH 27, 2012
Adam Davenport bucks the trend of the LA County, pop/punk, thruster/quad riding foam jockeys, and follows a linear legacy that goes straight back to Velzy. His whole operation could be described as roots rock-and-roll with a heavy dose of blues, with a tiny bit of surf guitar used as the catalyst.
A native of the South Bay, born at Torrance Memorial Hospital and a fourth generation Southern Californian, his first board was fittingly an 8′ 6″ pintail shaped by legendary Pat “Gumby” Ryan, head of the shaping helm at ET Surf.
“My feeling of first being upright was the best sensation ever,” Davenport said, “I was truly immersed, hook, line, and sinker, and I still can’t get enough.”
Like a lot of cats and kittens with a Southern California upbringing, his parents plopped the young Davenport into the Junior Lifeguard program, keeping him on the beach and fortifying his skills in the soup. “I remember my first hang ten,” Davenport said,“It was at 34th street on my Dad’s old Bing Noserider.”
He soon picked up the planer as he was not able to afford the boards that fit the kind of surfing he was jiving for. “I had a picture in my mind, and I still do – a golden era/generation of pure longboard surfing, and I wanted to somehow translate that into the boards that I rode, and the style of which I surfed.”
With this inspiration, the prepubescent Davenport was driven to the old Walker Foam Factory in Wilmington by his mother. He purchased a seconds and discarded blanks and promptly went to work in his mother’s garage, sauteing and shredding foam, and generally wreaking havoc in foam dust all over the place. Needless to say, young Adam was stoked to be finally have the correct equipment that would eventually help him with his own interpretation of wave riding. “I always looked up to the way my Father and Uncle surfed, the guys in the Bruce Brown, Dale Davis, and MacGillivray/Freeman movies,” Davenport said, “I wanted to be a part of what they were during that particular era, too, as I grew up with a absolute disdain for the modern thruster.”
His home base is in the “Cen-Bay,” an area that encompasses Playa Del Rey, El Segundo, and El Porto. His father and uncles grew up surfing Ballona Creek and were on the Roberts Surfboards surf team with boards shaped by Robert Milner.
“Growing up and hearing stories from my Uncles and Father,” Davenport continued, “Wayne Miyata’s Glass Shop and that whole mystique/fraternity of boards that inhabited the area caught my imagination. When I was in Elementary School, I used to daydream about being the sander for Bing Copeland and sanding noseriders shaped by Dan Bendickson.”
The atmosphere of El Porto “line-down” feeds the young Davenport in his ultimate expression. “El Porto – home of surf takers and snakers, surf jocks and bros, with their lifted trucks in the parking lot, cluttered with Body Glove and Channel Island Stickers on the windows, paddling for every wave with their homely aggressive flailing arms, with no substance and about all trends. “Yeah, that’s my checkpoint for surfism,” Davenport said.
With the South Bay of the ‘60s as his major influence, and with Hermosa Beach being the center of this surf culture, Davenport gives credit due to his influences.“Hermosa Beach and the South Bay were the hubs of the surfing world,” Davenport said. “Bing, Noll, Jacobs, and Rick were all located here and Weber was up the street in Marina Del Rey (and not Venice) – five of the world’s biggest surfboard manufacturers.”
Once Davenport shaved a few blanks here and there, he had time to graduate with a BA in History from Cal Lutheran, where he was also their starting center and offensive tackle. He even turned down his aspirations of being an attorney after being accepted into Loyola Law School.
He was first employed by Aquatech Glassing in Venice Beach, CA doing board restoration, ding repair, and polishing. “Scott [Anderson] and Sean [O’Leary] taught me the fundamentals of using a power sander, resin, and other disciplines,” Davenport explained,“Love those guys and will always be grateful to them for giving me a shot.”
Along the way, Davenport was also influenced by Fineline Surfboard’s Brian Hilbers and Mike Gibe of Cigars of the Pharoahs. “(Hilber’s) is one of my all time heroes,” Davenport said. “He grabbed me by the neck and showed me the basics of using a Skill 100 power planer, board design and theory, and helped me design my own version of his own model, “The Zombie,” which bacame my “The Thing” model.” “Gibe helped me take my board building to another level. For proper finish work, functionality and form, Mike is the constant detail oriented mentor that has smoothed out the rough edges and steered me in a direction that only he and Tyler are in.”
El Segundo’s Tyler Hatzikian of Tyler Surfboards, our generation’s Dale Velzy, is Davenport’s father figure in the world of shaping as well as his boss. Davenport spends a lot of time sanding Tyler’s latest “advanced traditional design” concepts and products. “What can I say about Tyler – he has taken me under his wing and made me what I am today,” Davenport said. “Everything I do, and how I do it, is because of him, his techniques, work ethic, and skill. I just want to make him proud and represent his label and boards in a way that reflects his class and craftsmanship.”
Currently, Davenport’s catalog includes ‘60s inspired equipment with model names like, “The California Classic,” “4065” and “The Pig.” On the quirky side, other models like “El Cadejo,” “On the Rocks,” and “The Thing,” separate Davenport from other shapers that sometimes rely heavily on names and archaic board designs from the past.
“The pig is my take on a classic early ‘60s design with a f(lipping) D-fin and no god da(rn) leash apparatus,” says Davenport.” The ‘El Cadejo’ is more of a mid-’60s noserider with parallel rails and slight hips for speedy points. ‘The Thing’ is a small wave noserider with a ten-inch tail block and a massive V, The ‘4065’ is the bastard love child of a mid-’60s Weber Performer and a Rick UFO, and the ‘On The Rocks’ is all about the jive, being a cool casual cat in critical sections, to maintaining correctly timed noserides in the pocket, and ripping Dewey Weber-esque cutbacks.”
With his surfboard lineup being solidified, Davenport’s goal is keeping his scene small enough to cater to his clientele and to be able to “build a core group of enthusiasts and friends who have a like-minded outlook on surfing, make great boards for my family, and keep doing a good job for Tyler, and never, ever letting him down.”
He is grateful to his family for their support and encouragement, without which he feels he could not have become the person that he is today. His special lady Mel, is always by his side. “Every year I raffle a couple boards for charity during the South Bay Film Series Festival that takes place in early September,” Davenport said, “Well, one of the winners happened to be Mel – it was then that I met the love of my life.”
Davenport lists a nice juicy medium steak, a baked potato, salad, and a tall can of ice-cold beer to his favorite food list. What’s bouncing in the corridor of his white van from the tape deck? Freddie King, Albert King, Paul Butterfield, Wes Montgomery, Kenny Burrell, Grant Green, and T-Crit. Things that bum Adam out: Shortboards, San Diego’s obsession with Bob Simmons’ shapes, SUP’s, inlanders, Surfer Magazine, clothing companies, leashes, booties, and hipster-claiming hulls.
Tyler Surfboard’s test pilot and South Bay surfer, Mike Siordia, agrees with most that Davenport is the right fit to continue the South Bay shaping legacy and the culture around it. “Adam gets it. Davenport represents craftsmanship and functional hotdoggin’ vehicles.”
What’s next for Mr. Davenport? “Become the second best board builder next to Tyler, follow in his footsteps, and continue to craft his boards. Make him Proud.”
For more information on Davenport Surfboards check out his website here and his blog here. His boards can be found at Mollusk Surf Shop, Venice, CA, Wave Front Surf Shop, Ventura, CA, and Surf Country, Goleta, CA.
Check out the full article here.
A big thanks goes out to Ed and Glen for making it all happen!
Photos by Mel and Kiyo of Classic Waves.
Sealegs
This week at Rosie Palms
Little Mike fighting the good fight in the cutback wars.
Ladies division of the cutback wars now open. 9'6" 4065
Adam doing a little R&D on the new Tyler pig shape.
No place like home
Nick Eliopoulos makin’ himself at home on the 10'1" El Cadejo.